Thursday, May 31, 2012
"This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.” - Walt Whitman, preface from Leaves of Grass
Friday, May 25, 2012
Elmore Leonard sends a fan letter.
Girls and their spaces.
The vanished NYC of 1971.
Well damnit, I might just end up watching Smash again.
Mourning a human friend.
Friday Jukebox, some heartless '80s cool from the heartless classic American Gigolo,
Wednesday, May 23, 2012
Paranoiac, Hammer adapted to the post Psycho change in horror tastes with an adroitness that would utterly fail them 10 years later. Paranoiac is a condensed bite of Hitch's camera angles and characters harboring secrets and possibly a psychosis or seven. Already a drunken force of nature, Oliver Reed plays a ne'er do well scion terrorizing his family, in particular his his high strung sister. Still grieving over her parents' death and her brother's attendant suicide from 10 years ago, so it can't be good when she starts seeing her departed brother popping up in odd places....
If that seems like the film is going to be a standard Gaslight-tale, whoo boy. In a plot that redefines "byzantine" it changes directions and tones with whiplash speed leaving the viewer hooked if only to find out just what the hell is going on. The cast is solid, but naturally Reed's Gorgon in a suit walks off with the whole thing.
Nightmare, It's that familiar manor house again, full of odd relatives and gamine nurses. The high strung lady in question this time is plagued by nightmares of her childhood witness of her mad mother stabbing her father to death, and the lurking fear insanity will be her birthright too. She returns home, but no sooner does she tuck herself into bed before she spots a ghostly woman in white motioning her to follow...
Once the Mini-Hitchcocks are seen in aggregate it's natural to start mentally combing them into one perfect whole. Paranoiac has Reed's balls out performance, but this is an altogether better film with real sucker punches in reversing who the audience thought they could trust. And some particularly good psychology, and performances, in the disintegrating relationship between the two villains.
Kiss of the Vampire, Neato slightly out of the box vampire tale with the Count in question keeling a rather Romney-ish coterie of vampires in his family cult. The hapless hero's newly wedded wife gets the ball rolling when the Count decides to make her the latest acquisition to his magic bathrobe vampire Amway meetings.
The Van Helsing analogue is something else, Cushing's dapper mannerisms replaced by Clifford Evans' hard drinking, brash pragmatism.
The Horror of Dracula, I am not, nor will I ever be, comfortable with how attracted I am to Sir Christopher Lee in this movie. That is all.
Brides of Dracula, Lee said Hell No for the first of many times and Hammer went ahead pretty successfully with a Dracula free Dracula sequel. I seem to be more fond of this entry than most. But I rather like its Drac substitute being an elderly Dowager and her "corrupted" son. Whom, in a vain attempt to control, she's kept locked up at the family castle. Throwing him the occasional unfortunate village girl to sate his thirst. The female Reinfeld is a hoot and Peter Cushing is on hand to be awesome and clean the whole mess up.
Tuesday, May 22, 2012
Friday, May 18, 2012
Praise! The epic takedown of the Left Behind series at Slacktivist is back.
"I can't adopt a baby!" Last night's Scandal finale was terrific and justified my faith in the shw. I don't seem to share the anitpahty towards Quinn a lot of viewers do. Usually the audience stand in is irriration but there's a vlunderability and as yet untapped potential to her I find appealing. I'll be very curious to know who she actually is.
And I kind of, no really, love Mellie. The actress owns this role and transforms what could have been stock Ice Queen into a woman throwing some hardcore Game of Thrones plays. I wouldn't be the least surprised to see her family tree have the Tyrells at the top. Also the female Vice President isn't another Palin hatchet job but seems to be modeled on William Jennings Bryan reincarnated in an Ann Taylor suit, which naturally makes her much more interesting. Hand it to a female showrunner, not that males can't but it's been a while since I've seen a show where the female antagonists where allowed to have an inner life and existence beyond causing trouble for the hero. (Though that's true more for the former than the latter in this case.)
Friday Dance-Off It seems only fitting she kicks this off, rest in peace you amazing lady.
Wednesday, May 16, 2012
Tuesday, May 15, 2012
Book rec, Ex Libris by Anne Fadiman. Speaking the secret language of bibliophiles with a warm funny voice this is one of the best essay collections I've read in ages. I'm jittery as an addict to read the rest of her oeuvre.
The Werewolf, the fifties had a cycle of classic monster movies that presented them in modern terms with "scientific" causes for their monstrosities instead of the old gothics' curses and legends. A quite good and unjustly forgotten spin on lycanthropy with what has to be the most sympathetic protagonist in fifties horror. As the hapless werewolf in question happens to be a devoted husband and father with the misfortune to have crashed his car outside the local mad scientist's place.
The scientist is looking to help humanity by regressing us to a more primitive state, as you do, resulting in this very nice gentlemen spending the rest of the picture stumbling around the woods and village of a charming ski country town getting shot at. In a rather neat casting touch the heroic sheriff is played by Don Megowan, who played The Gill Man in The Creature Walks Among Us.
Curse of the Fly, The second sequel to The Fly and much more interested in being a variation on Gaslight and Rebecca than a straight mad science picture. Also important for revealing that Cronenberg studied this one particularly carefully, from the surprisingly grotesque teleport accidents to the doomed romance between the two leads.
The Mad Executioners, Krimi and I definitely need to become better friends. During the fifties and sixties a hooded killer rush happened in West German movies with dozens and dozens of delightfully oddball crime thrillers, usually based on the words of British author Edgar Wallace, tumbling out.
Featuring Byzantine plots, no really, I'm not kidding, think the red herring turns out not be the killer but only because he was committing another murder at the time at the instigation of such and such who is actually the world famous criminal mastermind so and so currently in hiding in a mansion that has a secret passageway a gang of smugglers.... well, you get the idea.
This time around a cabal of self appointed judges are holding trials for killers who escaped justice in the legal system and carrying out the sentence via a rope that is stolen every time from London's Black Museum (you think after a while they'd just stop putting it on display). That is only the very tip of the iceberg of what happens and the rest is a very fun, very convoluted road to figuring out who done it and just what in the blazes the secret trials have in connection with a rash of beheadings (don't ask.)
"Smash" season finale, Couldn't resist one last hatewatch for the road. The touch of having the title card be fully lit up with the strains of the overture starting was a really nice, just imagine if the show had actually earned it. The finale made clear that to its credit, the show is aware of it's problems. But also that it has no intention, or ability to fix them. I will be looking forward to the articles writing up just how abysmal the promised pregnancy subplot is going to turn out to be.